My primary camera is the Canon 5D an 12.8 mega-pixel digital full-frame SLR with the BG-E4 grip. I'm always setting my camera on manual mode to control the depth of field and motion blur. Full-frame gives me a true 24mm wide angle when I have a 24mm lens. |
For a back-up camera I use the Canon 20D an 8.2 mega-pixel digital SLR with the BG-E2 grip. Because this sensor has a 1.6X crop I tend to use this body along with the 70-200mm lens to get an effective 320mm lens for great close-ups during wedding ceremonies. |
This 24-70mm f/2.8 L lens is on my camera for most portrait work. |
| For close-up, sports, or head and shoulder portraits I use the 70-200mm f/2.8 IS L lens. |
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That last lens is heavy, so I steady it with a Bogen monopod. |
Precision metering is with the Sekonic L358 equipped with wireless control for the PocketWizard units. |
This Canon gadget bag holds my camera body, meter and back-up media. |
My sturdy Bogen 3020 tripod is used both in studio and on location and has served me well since 1982. |
Proper white balance is achieved with the Kodak grey card. |
Sandisk is my compact flash card. |
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| Light modifiers
include Photoflex soft boxes and umbrellas: |
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| My background stand is from Savage. |
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Scenic muslin backdrops from Amvona. |
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Hand-painted muslin from Gail Degnan at Artistic Backgrounds. |
Backgrounds are lit with honeycomb grids. |
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